Grand Torus Energy Experiment – Chapter 16

The Basic Mathematics of Creation and Sound

At the end of the last chapter fifteen, I went to bed for the first time fully aware of my Transpersonal Self. Robert as my Homo sapien rent-a-body, my Fifth-dimensional finer energy male self as Tomas. My fifth-dimensional finer energy female self as partner Rachael.

I also became aware of my wife’s Fifth-dimensional finer energy male self as her partner George. I am yet to discover her fifth-dimensional finer energy female self. My wife keeps saying she is just happy to remain as her rent-a-body self, Maureen. I will just nick name her finer female self as Bernadette until she revels herself to me. So, there were six of us in the bed. In the morning our two dogs jumped up as well to welcome us to a new day. It so reminded me of the song. There were eight in the bed, and the little one said, ‘Roll over, roll over’. So, they all rolled over and one fell out.

To start with there was one male left brain dominated person in a rent a body Robert, Robert awakened to his fifth-dimension finer energy Tomas. Tomas then became awakened to his fifth-dimension female finer energy partner Rachael. Let us not forget Tomas’s crystalline energy named Tomasel. I am just wondering how many more personalities do I really have? Oh, and let us not forget the names of all my past and future lifetimes. Now this story is really starting to get full on, but I am keeping abreast of it all, are you also keeping abreast of the characters, dear reader? Last chapter I did a lot of preparation to understand music. So, this night I set an intention to discover music in my dream state during a visit to Arcturus. I fell off to sleep. Immediately a dream started formulating.

A dream within a dream.

I was standing in the middle of a footpath on a road bridge that straddled a small creek. Looking across the road of the bridge I could see a thick canopy of trees covering the creek which started at the other side footpath of the bridge. The footpath on the other side of the road bridge was wide with a long bench seat stretching the length of the Bridge. The bridge was quite busy with bicycles, cars and trucks crossing the bridge going both ways.

Next, between the flow of traffic, I seemed to become aware of a seventy-year-old man sitting in the shade of the trees on the bench seat right in the middle of the bridge. He was looking introverted, anxious and downwards to his right-side. A moment later, he was standing and again looking downwards as if talking with himself. He seemed to have a mental health issue of psychosis and physical issues of dyskinesia. 

Next, there was forty-five-year-old women with salt and peppery hair and quite a thin body waring a greyish baggy full-length dress. At the middle of the bridge when she had reached where the man was now sitting, she turned and waved to me. Then she started walked across the road between the traffic flow to myside of the bridge. She sat down on the bench seat to my right which I now found myself sitting on. We also had a bench seat stretching all the way along the footpath on our side of the bridge.

Her gaze, led my gaze to a billboard to the right and other side of the bridge. The billboard changed from being static to a video screen. The first scene was of a baby girl dressed in pink. Immediately the seventy-year man on the bridge looked sixth-years-old. The screen changed to a five-year girl with lovely black hair going to school for the first time. Again, the man on the bridge started reverse aging and looked fifty-years old. He was straighter in stature and did not look so anxious. Next the girl in the screen appeared fifteen-year-old and was maturing into a young woman. This time the man on the bridge looked about forty-years-old. The screen on the billboard changed again to a twenty-five-year-old slender woman. This time she had blond hair, sun browned skin and looked like a suave chic ready to set the world on fire. Next the man on the bridge looked twenty-five years old and just as suave as the woman and this time he was ready to set the world on fire. All of a sudden, the vehicles crossing the bridge were very modern and futuristic electric. Some seemed to even be floating across the bridge. The billboard changed and showed a beautiful light blue rotating Metatron’s Cube, then a spinning Merkabah tetrahedron and finally finished with the word Ascension. I felt someone squeezing my right hand. The old forty-five-year-old women who had sat down next to me on the bridge was now replaced by the young twenty-five year old blond. I looked at my hands to discover I also looked and felt like the twenty-five-year-old man who had been on the other side of the bridge. Wow, what a transition.

Next, I was wakened from my dream suddenly by someone speaking to me.

Rachael: “Good morning, Tomas. Welcome to Fight Earth to Arcturus. This is your captain Rachael speaking. We are about to take off from the middle of the Sun wormhole portal where we have just lodged the flight path paperwork. I have also completed the Fit for Purpose, Intentions for Service ‘Qualifications’ experience justifying the need for the space trip. So, you want to experience the Light and Sound of Music during this visit to school. The Councillors have accepted your Intentions for Service and have given their ‘Green Light for Go’. Music involves the harmonics of arithmetic’s and geometry. I am hoping you have your right brain Ears Wide Open. Just joking, I am your Right Brain Ears Wide open. In your case I am also your right brain heart connection female self. Most of this learning you will experience is through the feelings I have opened up in my heart and right brain. This is of course also your long time, many lifetimes ‘asleep’ right brain heart connection. I ask you to let go of your left-brain male dominance learning during this leg of the journey before we arrive at school on Arcturus.”

Tomas: “Hello Rachael. You are sounding a little bossy this morning. However, thanks for being my Captain and completing all the paper work. I remember one time when I smuggled on board a freighter through the Sun portal to the Pleiades without the paperwork or correct Fit for Purpose Intentions other than I was home sick and I just wanted to visit my Pleiadian family. Now I can visit ‘Home’ by watching the Disney Plus movie ‘Soul’ to remind myself of the loving environment of what living on the Pleiades is like. This movie is about all the blue souled Pleiadians who are arriving here on Earth at the present. The other way to connect with home is to buy a Subaru car with the Pleiadian star system as their emblem. Unfortunately, boarder control on Pleiades found me on arrival smuggling on the freighter. They branded the freighter pilot as a ‘People Smuggler’ and I was sent back to the Earth on the next available flight. I did have a few hours to absorb the energy and calmness of the Pleiadian people who looked after me while I was there.”

Time just seemed to pass in an instance and Rachael was very soon docking our MerKaBah spaceship on the landing bay of Arcturus. We were greeted by customs and made our way to the Headmistress’s study.

Headmistress Ziah: “Welcome back to school Rachael and Tomas. I am so pleased you two have not had another ‘Ego’ fight, fallen out and are not speaking with each other like you previously did many life time’s ago. ‘Ego’ and ‘Ago’ (a measure of time), have so many similar meanings and consequences. So long Ago we all used the Ego to first separate from Source Light. Maybe it is time to activate the Igo, Ogo and Ugo to return to the light and the sound of Om once again. So, this brings us to the study of music, light and harmonics. It seems I need to send you off to visit the famous Acoustics Mathematician and Meteorite Physician, Ernst Florens Friedrich Chladni (30 November1756 to 3 April 1827) on LM or Lower Mezzanine floor. We like to call the floor Light Music. Chladni is best known for his two-dimensional patterns of oscillations of notes produced by a violin bow on the edge of a metal plate of different shapes. Fine sand was placed on the plate and it accumulates in spaces where no vibrations are occurring. The sections of the plate where the music is oscillating is called an antinode and where there is no vibration is called the node of stillness and this is where the sand accumulates showing the patterns of music. See below.

Currently this study of taking pictures of the sound of music is called Cymatics a term coined by Hans Jenny, a Swiss follower of the Rudolf Steiner’s philosophical school known as Anthroposophy. Let us catch up after your visit to Ernst Chladni.”

Rachael: “Thank you Headmistress, we will see you soon.”

Rachael and I make our way to the foyer and catch the lift to the Lower Mezzanine floor.

Ernst Chladni: “Welcome to the Light Music floor, Rachael and Tomas. Let me take you to my controller’s room for a little homework first. Some call me the conductor of the orchestra producing wonderful sympathies of star systems. You just call me Ernst, just like in Ernst and Young, (EY) the accounting firm your rent-a-body Robert worked for over a ten-year period.”

Tomas: “Nice to meet you Ernst. I am looking forward to learning about the combination of Light and Music into the Matter of the Universe and our World.”

Ernst Chladni leads us into a room that had a big wall screen on our left side and another on the right side of the room. There was a ‘U’ sharped desk with five chairs in the inside of the ‘U’. Two facing each wall and one facing the floor to ceiling window opposite our entry wall. The window was overlooking a factory floor with hundreds of people working around ponds of water.

Ernst Chladni: “As you can see through the window there is a lot of creativity going on in this floor where the orchestra members are converting light into frequencies, vibrations of music and solidifying into geometric matter. I will explain this more fully shortly. When I was alive on your planet, I only had the tools to depict the shape of music in two-dimensions. It was like I was trying to describe the three-dimensional toroidal shape of a round apple with one horizontally cut slice of an apple. These days we have Cymatic machines that photograph the ever-expanding bubble round shape of the vibration of music that looks like this person here on the screen playing a violin. Rachael and Tomas take a seat at the table please.

A cymascope looks like this and is able to digitally record three-dimensional pictures of sounds and music.  

A cymascope takes a picture of the bubble of sound which looks like the graphics on the screen.”

Ernst Chladni: “Let us look at the Electromagnetic spectrum of wavelengths of energy. This is like an overview.

For those who need to do some further study the following note may assist with the measurement of wavelengths. Reference is provided at the Source below.

‘Wavenumbers are a unit of energy. Given that 1eV1eV=8100cm−18100cm−1, and the relations E=hνE=hν and c=λνc=λν, where hh is the Planck’s constant, cc is the speed of light, and frequency νν and wavelength λλ, you should be able to solve this with some simple algebra.’

Tomas: “Thanks Ernst for the formula but I will leave this calculation for my next visit.”

Ernst Chladni: “What you Rachael and Tomas, as humans in a rent a body, are used to seeing is the visible light where white light is projected through a prism and converted into seven major colours and sounds and five minor colours and sounds.

These are recorded in your seven major chakras within the body and five extra chakras found external to the body making a total of twelve notes and an octave of your music scale and chakra energy system. See this chart of your seven major chakras.

Take a moment to listen to these chakra sounds played on sound healing gongs.”

Healing Chakra 8 Gong Meditation/15 min. Full Octave.

Ernst Chladni: “Before we concentrate on the fourth-dimension sounds of light we need to understand the overall sounds within the Universal electromagnetic fields created by the big bangs and the sounds of Om and AUM from Source Energy. Om or AUM is the basis for all sound within the Universe. The Tibetans are good at drawing the bubble shape of the Sound of OM with their mandalas in two-dimensional paintings. Light become sound and then matter. This is a picture of the OM vibrating as the Sri Yantra chakra symbol as the origins of life through the sound vibrations. See the pictures on your screens.”

The First Eternal Sound Om or AUM is the basis for all Sounds of the Universal.

Ernst Chladni: “So let us start with the Sound of Source Energy and this is best described as the Eternal Sound of OM and AUM. This is often described as a Universal Sound. ‘Uni’ meaning one and ‘verse’ meaning song or poem. It is important to note the Cymatic picture of OM is circular and oval without other structures as is found for notes of the piano scale on your planet. This is of course a two-dimensional depiction of OM.

The Sound of Om is more Toroidal in shape like the following picture of the movement of sound. Take a moment and listen to sounds on the screens.

The Sound of Om is being chanted in the Great Pyramid in Egypt. The three-dimensional ball shape of the sound of OM. Is being photographed by the Cymatic machine as a two-dimensional circle and oval shape.”

Steven Halpern, Great Pyramid OM’s Cymatics.

Rachael: “Yes Ernst, this sound of AUM (OM) is very haunting and produces ancient feelings within me.”

Ernst Chladni: “See Rachael you can now see graphically what the Tibetans have been drawing for centuries. Just listen to Sadhguru explain the three Eternal sounds of ‘A, U and M’. The celestial Sound of the Universe.”

Sadhguru Share The Secret Behind The AUM Chanting | Science of Sound | Mystics of India

Tomas: “Yes Ernst, I can start to feel these three sounds of ‘A, U and M’ in my body starting at my navel and permeating through each mitochondrion energy battery at the cellular level. My ears seem rather superfluous in this inner hearing process. It is activating my inner Universal consciousness. It seems to activate the story of the Trimūrti in Sanskrit, ‘three forms of trinity.’ The triple deity of supreme divinity in Hinduism, in which the cosmic functions of creation, maintenance, and destruction are personified as a triad of deities. Typically, Brahma is the creator, Vishnu is the preserver and Shiva as the destroyer. This represents a full flow of energy through a Toroidal field starting out from the South Pole as creation, around the magnetic field as maintenance, before re-entry back into the North Pole as destruction.”

Ernst Chladni: “Yes Tomas, we will be talking about the extension of the triunity of A, U and M as manifesting in the Universe in the form of Arithmetics as the female flow of energy into the Universe as creation, Harmonics as sound maintenance and Geometry as the destruction of matter.

I would like to now point out for you the circular pattern we have been able to capture on the ceiling of the work room through the window. In each galaxy and on each creator Star we use the sound of AUM (OM) to create frequencies, vibration, harmonics and disharmonic sounds to create matter. You can see the light filaments streaming down from the ceiling and entering the keyhole shaped pools of water before being vibrated to create all forms of matter on our surrounding stars and planetary systems. We like to describe your Sun and Planetary system as the Sun’s one body where the planets are like the Sun’s organs. Humans are like blood cells transferring between one organ or planet to another organ or planet for different life’s lessons. Hence the term and book by Dr John Gray ‘Men are from Mars and Women are from Venus.’ We like to describe each organ or planet as a school for learning and or cleansing of the Sun’s body. This is very much what your blood does as it gets oxygenated in the lungs and cleansed in the liver and kidneys.”

Tomas: “Yes Ernst, that concept made a lot of sense to me when I first read the book back in 2012. Dr John Gray has now sold over fifty million copies of the book. A really big influence on how we are to understand the relationships between females and males and different purposes of each energy. So how do we transition from the sound of AUM at a Source Energy level to the female Universal Energy level of 95% Dark Energy and Dark Matter and the male Universal Energy level of 5% visible light and sound manifesting as matter?”

The Second Sound of Female Nuclear Fusion and Third Sound of Male Nuclear Fission.

Ernst Chladni: “Yes Tomas, so before we start talking about the second and third sounds within the Universe, I would like to draw your attention to the following table and chart of Solfeggio frequencies. This table is highlighting the movement of the ninety-five percent of female energy downwards into the Universe creating the Dark Energy and Dark Matter. We call this movement nuclear fusion. The male movement upwards or outwards produces the five percent of fourth-dimension matter which results from nuclear fission or the Big White Bang as you like to describe it on your planet.”

References to Solfeggio Frequencies, the Enneagram and female and male energy movement.

Female energy goes down and the male energy goes up.

Solfeggio Frequencies are described in the following chart.

Universal creation will be discussed in more depth during a later visit where I will be explaining my work room orchestral creations below. This visit we will be discussing sound theory as you understand it on your planet before we look at the bigger picture of creating the detail of the macro-Universe. I do notice you have recently launched the James Webb Space Telescope to gain a greater understanding of the original sounds of the Universe. Unfortunately, your Western scientists spend too much time observing the Fourth-dimension. There will become a time when the fifth-dimension knowledge will be openly discussed. Elon Musk will no longer have to explain that he got a new rocket design from his ‘dream’ state while he was asleep. You will all be able to say that you have just read the material during a recent visit to the Akashic Records Library in the fifth-dimension.”

Rachael: “Yes Ernst the understanding of Solfeggio frequencies is starting to emerge on the human’s YouTube channels. What a breakthrough in understandings in the truth of harmonics.”

Tomas: “Ernst, Edgar Cayce made fourteen thousand trips to the fifth-dimension Akashic Records Library to read the energy records for people asking for a listening (psychic) reading. The Earth has received an influx of Pleiadian Souls or Highly Sensitive Heart based Persons (HSP), whom still have their memory and connection with the fifth-dimension. This more aware or reawakened soul group are likely to be known as the new Homo consciousness species, the next evolutionary step beyond the failing Homo sapien species.”

Ernst Chladni: “Yes Rachael and Tomas, very valid points which will be discussed during your next visit. So how did all this start. So let us look at what the James Webb space telescope may find as the original sounds of the Universe. In your last chapter Fifteen you experienced the mathematics of six, twelve and thirteen to start the Universe. You got to the point of creating a shell for the Universe around a small seed of Source light energy. So, it is like you have a deflated balloon waiting to be filled with female and male duality adventures.”

Adam and Eve Story of Creation within the Universe.

Ernst Chladni: “I know in your bible Creation story it has been described as Adam and Eve ate a toroidal field shaped like an Apple in the Garden of Eden. We like to describe this as Adam and Eve enjoyed sex. Female Eve came downwards, while Adam thrusts upwards. Two sons were born. Cain killed Abel and set up an opportunity to journey away from the light and to experience the darkness. You have journeyed away from the light for thirteen-billion years and now you are slowly turning around for the next eight-billion years to journey back towards the light and disappearance or collapse of the Universe. This I feel is a better depiction of the creativity story. We also call this a Creative Consciousness and setting of Intentions. This intention setup as an explosion of creation was described in the last chapter. The Universe ‘Skin’ was created with Vortex mathematics but remained hollow waiting to be filled up and expanded into the illusion of matter. See the picture below.”

Tomas: “This is a beautiful picture of creation. Much better than the sin of sex that I was brought up on at home, in church and at school.”

Ernst Chladni: “In your fourth-dimension you have concentrated on the energy of female and male directions. You could say at present on your planet you are ruled by your male dominated ego selfish separated left brain where it is all about the individual. Please note there is a swing in the balance happening not just to the female dominance but to the Unified third balance of Source Energy. This Unity is what we will be discovering with the use of harmonics as the balance between the Arithmetics of female energy and the Geometrics of the male energy. This really is a story of going from duality to triunity and discovering the harmonics that holds us all together. See the diagram of the female and male flow of energy which produces your Merkabah.”

Ernst Chladni: “The next step is to blow up the Universal balloon with Hydrogen and Helium, Dark Energy and Dark Matter. How would Source Energy accomplish this task. First of all, we need to understand Nuclear Fusion. Nuclear Fusion is a combining of two or more Atomic Nuclei of Hydrogen. Each atomic nuclei of hydrogen consists of one negatively charged female energy Electron and one positively charged male energy Proton and is labelled as H1.

In the first combination of two Atomic Nuclei of Hydrogen, two female electrons on the outside attract to each other and combine to produce a Vesica Pisces or a Molecular Nuclei of Hydrogen called an H2 consisting of two female Electrons and two male Protons. Please note that two Atomic Hydrogens are held together by the female electrons. See below for the shape of Molecular Hydrogen = H2

Second Sound of Nuclear Fusion and the Primordial Nucleosynthesis.

Ernst Chladni: “Your scientists have a name for the original Nuclear Fusion combination as the Primordial Nucleosynthesis for the creation of hydron, helium and lithium. We like to describe Nuclear Fission as the third event to create the Big White Bang as the Stellar Nucleosynthesis where everything heavier than lithium was created.

Let us first look at a diagram explaining Nuclear Fusion or the Primordial Nucleosynthesis creating the ninety-five percent of Dark Energy and Dark Matter.”

Ernst Chladni: “As a result of this Female Nuclear Fusion (before the Male Nuclear Fission of the Big White Bang) the balloon of the Universe was filled with Hydrogen, Helium and Lithium nearly to the extent of one hundred percent. Just visualise a hydron and helium filled balloon hanging about on the Tree of Life waiting to be fertilised. Remember that the first thirteen circles in creation of the Universe are female energy to produce a Seed, an Egg and a Flower of Life. The second twelve circles added were male energy to create a Fruit of Life and a Tree of Life.”  

Rachel: “So can you assist me to hear the sound of this first breath of Nuclear Fusion?”

Ernst Chladni: “Let us consider the Sound of a breath of air filling a balloon. It is like the sound of your base chakra. The Solfeggio Frequency 174 and the Note C. In chanting it is the sound of Lam. It is sound of Energy created with each combination of hydrogen. It is the sound of Energy flowing downwards out your base Chakra Toroidal field. It is like a flower sending out a red colour and the perfume to attract an insect for fertilisation. In a human it is the sound of the female uterus to attract a male penis for fertilisation. It is mostly silence. So let us experience the small quite kundalini explosion in the perinium of the base red chakra. Let me play you a little video on the screen while you listen to the sound of the explosion of female energy. This process of creating a Primordial Nucleosynthesis is still going on in most suns and stars today.”

174 Hz. Pain Relief Sleep Music. Deep Healing Music based on Solfeggio Frequencies.

Tomas: “This 174 Hz music assists me to ground to the depth and core of the planet Earth on which I am standing and living. It stirs up a gratitude for the Earth as a female energy.”

The Third sound of Nuclear Fission to create the Big White Band of Stellar Nucleosynthesis

Ernst Chladni: “Do you remember from Chapter Fifteen, with the arithmetic combination of Thirteen Rows of circles we had built the flowing energy of a Torus field and the replica of the Tree of Life as an empty Universe even before the first nuclear fusion and nuclear fission Big White Bang?

‘Row Thirteen. Expansion of circles produces Five hundred and fifty-three circles enabling the creation of the first toroidal energy field and it is given the name of an empty Tree of Life.’ A replica of the original consciousness and intention or the Tree of Life at the centre of the Garden of Eden.

Next, is by adding male energy we fertilise the Fruit of Life and create the Tree of Life. Male energy build’s structure and lines between the circles. This process now requires Nuclear Fission to create matter. Instead of combining hydrogen, it is an outward explosion to fill the hydrogen and helium filled balloon with structure and matter. This matter is what is often measured physically and can be seen by your fourth-dimension eyes.”

Ernst Chladni: “We will not be explaining Nuclear Fission in great detail as this will be covered during a subsequent visit where we have time to incorporate the explosion of a Metatron’s cube in structure and sound. So now let us listen to the sound of Nuclear Fission. The Sound of 285 Solfeggio Frequencies. The Second Sacral Chakra of the Universe and the note D.”

285 Hz. Heals and Regenerates Tissue. Healing Sleep Music based on Solfeggio Frequencies.

Tomas: “I was brought up to believe that sound of Nuclear Fission was like a loud explosion of a Nuclear Bomb. This was something to be feared, yet by understanding that Nuclear Fission is happening all around us in the Universe it is something to be celebrated and enjoyed.”

Ernst Chladni: “So let me summarize the difference between the downward flow of female energy out through our base red chakra to produce the toroidal energetic field we live in and the upward flow of male energy from the orange sacral chakra to produce body and building structure to live in. This is the point where the ‘A’ sound of A, U, M starts. It is the movement of male energy of the Creator Brahma. U is Vishnu the maintainer and M is Shiva the destroyer of the Universe so we can return back to Source Energy. This is simply a description of a magnetic field.

Take a moment and have a look at this summary video.

Fission vs. Fusion: What’s the Difference?

The female Fusion Energy is three to four times stronger than the male Fission Energy. Here is an overall model prepared by Dirk KF Meijer. First Nuclear Fusion creates the female Diverging Force of Dark Energy and Big Black hole as a Fractal calculation for the disappearance of the Universe and escape back to Source Energy. Secondly, Nuclear Fission creates the Converging Force of Gravity of structures to hold everything together to remain stuck within the Universal Toroidal field of matter.”

See also the beautiful combinations of mobius strips of the continuous flow of energy.

James Clerk Maxwell Electromagnetic Wave and the Poynting Vector

Ernst Chladni: “Next we have to understand how Source Energy flows through the universe as light where it consists of oscillating electric and magnetic fields.

James Clerk Maxwell discovered the Electromagnetic Wave that travels through empty space while John Poynting worked out the Poynting Vector formulae that explained how the light and energy moves through rotating electrical and magnetic toroidal fields rather than through wires. This will be understood greater during your next visit where we discuss the greater creation of the Universe. Let us just say that Dark Matter is the wiring system for the flow of Dark Energy throughout the Universe between Galaxies, Stars, planets and every dimension in between. The universe has a central energy source Sun from which all sound explodes before eventually contracts back into the big black hole just like every magnetic field.

Take a moment to review this video on the big misconception about the flow of electricity within the Universe and on your planet. We will talk about Dark Matter or worm holes for the flow of the Universe’s Energy and Electricity during your next visit.

The Big Misconception About Electricity

Tomas: “So Ernst Chladni let me summarise the first step in understanding the sound of the Universe.

1. Source has a sound of AUM. Eternity compared with infinity or finiteness in the Universe.
2. The female energy has a consciousness to experience a Universe.
3. The male energy has a consciousness to fulfil that desire to produce structure.
4. Source energy flows through the Universe as toroidal field as electromagnetic waves.
5. Electromagnetic waves vibrate at different short and long frequencies. Humans can mainly see and hear the light wave frequencies. Humans have developed machines to record and use many of the other frequencies. Light waves are also stored within the human body as the seven main vibrating chakras and five external vibrating chakras.

Ernst Chladni: “Great summary, so now let us move onto the second step in understanding harmonics and music. This requires the expansion beyond the Source three sounds of A, U and M into the twelve colours of the Universe and human chakras. To gain this understanding we need to tie together the mathematics that explains the synergies between the arithmetic’s used to expand the universe and the harmonics between the female and male energies and the resultant geometric structures.”

Rachael: “I remember a quotation from Goethe which said ’Geometry is frozen music.’ I am looking forward to seeing how mathematics explains the frequencies of sound and music.”

Science of Mediating Proportions.

Ernst Chladni: “Plato described the study of mediating proportions as essential knowledge which is the simple observations of the functions of mean terms. In the structural world of the fourth-dimension you humans use the discontinuous proportions of four terms. The general formulae of four related elements is a:b::c:d. An example of this is 2:4::3:6.

To understand how unity or source energy has manifest in harmonics we need to study continuous proportions of three terms. The general formulae of three related elements is a:b::b:c. An example of this is 2:3::3:4 as in arithmetics and 2:3::3:6 as in harmonics

When you have ‘b’ in a three-part formula then b acts as the observer and can understand the relationship between a and c. ‘b’ becomes the observer or harmonics as in quantum physics and brings into existence the relationship between Source Energy of arithmetics (female) and geometrics (male) in structure. Hence the saying Geometrics is frozen music in structure. Arithmetics proportions involves addition and subtraction. Geometrics proportions involves multiplication and division. An Harmonic mean is derived from a combination of arithmetics and geometrics. For example see the table below.”

Tomas: “Let us work an example. What is the mean value of b, where an ‘a’ is six and ‘c’ is twelve?

Graphically this worked example looks like this on the screen. Note b in this diagram is c.”

Ernst Chladni: “For the moment we are going to skip over the use of arithmetics, harmonics and the resultant geometrics for the development of 5% matter in the Universe (next visit) and just concentrate on the resultant music concepts on your planet.

So, let us start with some basics on the scale of music and corresponding frequencies using a western equal temperament A4 octave 440 Hz tuned piano. A basic orchestral piano.

The development of the seven scale notes Do, Re, Mi, Fa, Sol, La, Si or Ti and then the return to the next higher Do, was the work of Italian musician and singing teacher Guido d’Arezzo, developed toward the end of the 10th century. Western music further developed the musical scales, called octaves, composed of 12 notes. These comprise of 7 interspersed notes (DO, RE, MI, FA, SOL, LA, SI) with 5 semitones of passage (DO #, RE #, FA #, SOL # and LA #).

In about the 500^th century the Anglo-Saxon system used the first seven alphabetic letters for the names of the notes, starting however from the note LA (A). You will therefore have the notes A (LA), B (SI), C (DO), D (RE), E (MI), F (FA) and G (SOL).

It is interesting that the Anglo-Saxon notation starts with the note LA. It is no coincidence that, by convention, all musical instruments are tuned keeping the note LA present on the fourth octave (LA4 or A4) of the entire musical scale as the reference frequency. Today most western orchestral musical instruments are tuned making sure that the note LA4 corresponds to the tuning frequency of 440 Hz.

Western piano tuning has the LA4 at 440 Hz and LA5 at 880 Hz using the equal temperance system of tuning.

Each LA in the lower octave will correspond to half the LA frequency in the upper scale, and so on throughout the musical scale. So, we will have the frequency ranges (octaves) that will double as the octaves grow.

For the calculation of the frequencies corresponding to the 12 notes present within an octave there is a particular mathematical procedure, which is based on the multiplication of the base frequency (i.e. that of the LA) by a certain value βn between 1 and 2, and where n is the number of the corresponding note (from 0 to 12).

So, we calculate the 12 values of β raised to the different powers with the use of a scientific calculator. We will get the following values. I have enclosed a comparison between the Octave starting at 440 Hz and an octave starting at 432 Hz.”

 Should Music instruments be tuned at 432Hz, 440Hz, 441.4 or 444Hz?

Ernst Chladni: “There has been much debate on the tuning of orchestral instruments to the Equalised Temperament scale starting at A4 on a piano using 440 Hz. Some orchestras also tune their instruments at 444 Hz. We would prefer you to consider the natural frequencies recognised as 432 Hz at the LA4 position on a piano. You will see from the attached table if you go backwards to the missus LA6 (-) position the skin of the Universe is represented by the Vector mathematics of 1, 2, 4, 8, 7, 5 and a return to one. This is not the case for 440 Hz or 444 Hz tuning. It is interesting to note that the Pythagorean Tuning of 441.4 also includes the Vector mathematics of the skin of the Universe. More of this will be discussed during your next visit.”

Please note the 440 Hz difference should be 432 Hz between LA4 and LA5.

Tomas: “Let me prepare the table you are showing me on the screen.”

Ernst Chladni: “See above at A6- we see the Vortex mathematics for the skin of the Universe with the numbers 1, 2, 4, 8, 7, 5 and returning to one. That is why we prefer to promote musical instruments tuned to the 432 Hz frequencies.” 

Ernst Chladni: “Before we proceed, I would like to share with you the formulas for creating sound frequencies. These frequency ratios can be understand when referring to the Table of Lambda showing the combination of the female expansion and male inversion directions.”

Tomas: “Ernst, would you mind if I include the Table of Lambda which assists in explaining the formulas including female and male numbers and harmonic frequency ratios noted in your chart above.”

Table of Lambda

Again, the next chart shows the Table of Lambda in the form of an expanding AUM (Om) with each female expansion and male inversion.

Tomas: “I have also added in visuals that have assisted me grasping music concepts of overtones. See below.”

An ‘Overtone’ is any frequency above the fundamental frequency of a sound. It comprises both partials and harmonics but does not include the fundamental frequency, for example the first partial or first harmonic or Source Energy.”

Tomas: “So now let us visualise the frequency wave lengths in music and string lengths in the piano or a guitar.”

Ernst Chladni: “I know we are pushing the knowledge but we cannot miss out the formulae to show that harmonics continues to infinity within the Universe. So just imagine sound waves continue to the edge of the Universe before bouncing off the skin of the Universe just like a ripple in a pond when it reaches the edge creates more interlocking waves and overtones.

The Harmonics Series continues to Infinity with the following formulae.

Ernst Chladni: “It is also important to understand that the Infinity of Harmonics is also described as the Phi-Recursive Heterodyning using the Fibonacci Series. See below.

Heterodyning is a process of combining a high-frequency signal with another to produce a lower frequency. You could describe the Fibonacci series as a Phi-Recursive Heterodyning series. See also this sound harmonics scale is based on the Fibonacci expansion of 0,1,1,2,3,5,8,13,21,34,55,89,144 continuing to infinity. Fibonacci inversion is the reverse.

It also confirms mathematically the thirteen-billion-year ‘expansion or more resonance’ of the Universe followed by the eight-billion-year ‘collapsing or more dampening’ of the Universe back to Source energy. Infinity transitions back to Eternity. We will discuss this further during your next visit.”

Natural 432 Hz Tuning, Pythagorean Tuning verses Equal Temperament Tuning of 440 Hz.

Tomas: “I would like to further explain the use of the formulas and the Frequency ratios compared with the Pythagorean Tuning. This example covers the seven notes starting at middle C or C4. On a piano to calculate the hertz for each note. This will highlight the arithmetics and the inverse harmonics. Pythagorean Tuning is vital for the understanding of why the Equal Temperament Tuning of 440 Hz sets up a discordance and fractious vibration to Natural Tuning for the human chakra and the tuning of the Light Being Universe. It is ok for a journey away from the light. We are now heading back to the light and need to again use the Natural Frequencies of 432 Hz. This will be further developed in the next visit.”

Comparison of Pythagorean Tuning and Equal Temperament Tuning at 440 Hz.

Take some time to review a further explanation about Pythagorean Tuning by David Darling.

Pythagorean tuning by David Darling.

David Darling also has a good explanation on the Pythagorean Comma as mentioned in the chart above.

The Pythagorean Comma by David Darling.

Ernst Chladni: “One more example I will leave you with is a Cymatic three-dimensional photograph of the A2 piano octave of twelve notes.”

Ernst Chladni: “Tomas, before you go home, I would like you to just have some time out to listen a selection of music with your ‘Rachael Left-Brain’ to see if you can now feel more of the three-dimensional droplets of sound and harmonics.

Here are some possible inspiring songs confirming the heart beauty that resides within you.

The sound that lives inside me
Wants to be heard.
He is born in the depths
Which leads further and further
To the place where my essence is rooted
In the source of ancient knowledge.
Where do I come in contact
With my innermost and inner self.
From this source flows a stream,
That feeds me and others
Pure sounds Streams of life.
Oohmm.
A poem written by Anneke Heuser, author of The Singing Bowls.
Just sit back in your comfortable chairs and enjoy the experience from your heart.”

• 20 min of Powerful OM Mantra Meditation and Healing Tibetan Singing Bowl s Sound
  Therapy.

• The Ultimate 432 Hz Vs 440 Hz. Conspiracy and Comparison. Paul M Davids.

• Testing 432 Hz Frequencies and Temperament. Adam Neely.

• Yantara Jiro – Crystal Bowl Mediation

• Anoushka Shankar Ancient Love.

Ernst Chladni: “Now Rachael and Tomas, I feel we have covered the mathematical basics for the understanding of frequencies and harmonics. Next visit I will be showing you how we orchestrate the creating of our little section of the Universe in the room down below us. Have you any questions before I send you back to see the Headmistress for a final discussion?”

Rachael: “Ernst Chladni for you to have such an understanding of the knowledge of harmonics and be in charge of this creation room would you be able to show us your finer energy Beingness?”

Ernst Chladni: “Thank you for asking Rachael. It would be a pleasure to reveal that I embody the crystalline energy of the archangel you know as Gabriel. Gabriel is the symbol of the throat chakra of the Universe and speaks the Word or Sound of Source Energy.”

With that said the room filled with the vibration of a Blue Pearl within a toroidal field of white that could be described as the hovering and flapping wings of a White Dove. The Breath and sound of the triunity of AUM filled our beingness.

After a while Ernst Chladni was again standing in the room before Rachael and myself in a fifth-dimensional person body suit that we could easily relate to with our fourth-dimension consciousness.

Tomas: “Ernst what an experience. Thank you for all the knowledge you have shared with us today. I look forward to our next visit to see how you create suns and planets and then fill them with living minerals, viruses, plants and animals.”

Rachael: “Gabriel and Ernst thank you for your sharing and the awakening of my other half Tomas. Until next time.”

Tomas: “Ernst, because this has been such a reawakening expansive curve of experience would you mind if I prepare a small summary to ensure I have not missed some vital mathematic basics?”

Ernst Chladni: “Yes Tomas please do this summary.”

Tomas: “Well my summary must include.

1.  Ernst Chladni, you run the Light Music floor on Arcturus converting Light into Sound and Sound into creation within this section of the Universe. More explanations to follow during our next visit.
2. You showed us the three-dimensional Cymatic pictures of the expansion and movement of sound as electromagnetic wavelengths.
3. Original Sound of the triunity of A, U and M or Om of Creation, Maintenance and Destruction represented by Solfeggio Frequencies in the Universe which even form the basis of matter right down to the level of the human body.
4. We reviewed the Creation Story of Adam and Eve from the beginning to end of the Universe.
5. We then looked at the Second Sound of the Universe being Nuclear Fusion to fill the Universal balloon with Hydrogen, Helium and Lithium.
6. Next came the Third Sound of the Universe our Nuclear Fission expansion to create matter and structure. The White Bang as we on Earth stuck in the four-dimension have named it.
7. Electromagnetic Wave and the Poynting Vector showed us the flow of energy radiating out from the second and third sound waves.
8. We then encounted the Science of Mediating Proportions covering arithmetics, harmonics and geometry.
9. The Table of Lambda was used to explain the mathematical structure of music, frequencies, overtones and harmonics.
10. We then reviewed the differences in Tuning. We compared Natural Tuning of 432 Hz, Western Equal Temperament Tuning of 440 Hz or 444 Hz and compared this with the Pythagorean Tuning of 441.4 Hz.
11. We then reviewed the mathematics of the Harmonics Series continuing to Infinity and the description of the shape of all matter as the Fibonacci Series as a Phi- Recursive Heterodyning Series.

Has this covered the concepted experienced during this visit?”

Ernst Chladni: “Yes Tomas, your summary is a very good coverage of the basic mathematics of creation. Next visit we will review the macro vision of creation within the Universe. Until your next visit, go well and review the material again as we have covered a large reawakening understanding today. Goodbye for now.”

We soon made our way back to the Headmistress’s rooms. We knocked and entered.

Tomas: “Headmistress, that was a head full of mathematics to experience.”

Rachael: “Headmistress, what an experience to witness the consciousness expansion of Tomas from his limiting Right-Brain Fourth-dimension knowledge. He has been able to reconnection to his Fifth-dimension akashic knowledge records and open up to his inner hearing and inner sight. Tomas is starting to use his Clairaudience for inner hearing, Claircognizance to understand fifth-dimension knowledge, Clairsentience for inner feelings and intuition of his heart chakra, Clairalience for inner smelling, Clairgustance for inner tasting and Clairvoyance for inner sight. I am starting to love my expanding and reawakening male self, named Tomas.”

Headmistress: “Well you both are buzzing. Before you go home, I would like to discuss your dream Tomas on your way here. Just to remind you of dream symbols. People in the dream are the symbol for your spiritual body of direction, vision and creation. Buildings like a bridge are symbols of your mental body and your attitudes. Vehicles are a symbol of your physical body in different dimensions. You started with a vision of your old male dominance sick fourth-dimension self. Slowly Rachael grew in the form of your female self until she was about twenty-five years old. By your recognising your female self you were able to reverse your aging self to become about twenty-five years old again. This is the symbol of a change in your spiritual direction from a fourth-dimension male person to incorporating your fifth-dimension male and female transpersonal self. The bridge symbolises a transition in mental attitudes to include the fifth-dimension knowledge. Vehicles represent your different rent-a-body space suits required to travel in different dimensions. The screen ended with a Metatron’s cube explaining the structure of matter. The Merkabah represents your space vehicle for travel within the fifth-dimension that you all have sitting in your fourth-dimension garages. Dust them off and start using them. Just like the latest Ghostbusters: Afterlife movie. Dust off the old Merkabah vehicle and start having fun in the fifth-dimension.

Ascension is your new awakened state of awareness. Previously you believed Ascension could only happen when you died. Ascension now represents when you are living in both a fourth-dimension body and a fifth-dimension body at the same time. This is what we describe as the new species on your planet. Homo consciousness species is now replacing the out of balance Homo sapien species. Tomas, particularly you have incorporated your reawakened transpersonal self of Tomas and Rachael into your fourth-dimension Robert rent-a-body on planet Earth. This is what you have become in your Ascension. Christ did say to you Tomas two thousand years ago, ‘If you want to follow me into the fifth-dimension then follow the cross.’ What you did not understand fully then was that Christ was talking about the mathematics of the Tesseract, a cube within a cube. When folded out a tesseract becomes a cross. He did want you to die on the cross like he did. He wanted you to ascend through opening up your heart chakra portal tesseract. The tesseract’s outer cube represents your outer human body. The inner cube represents your inner body which you become aware of through your Clairsentience feelings and awakening, by connection your right-brain to your heart and gut brains. Good-bye left-brain male dominance cruel world experience. Hello balanced transpersonal world. We know your people on Earth have achieved this transition from reviewing the future Akashic records.

Just simply get there Tomas and Rachael and apply your awakening and share the process with as many others as possible. By simply recording these experiences then the consciousness is available for all to connect with. Just like when your Australian fellow Herb Elliot ran the mile in under four-minutes back in 1958. That very next week, four other athletes ran the mile in under four minutes because they then knew it was now possible. All you are doing here Tomas and Rachael is showing others that it is possible to become a living Ascension.

Now off you both go before Robert has to wake up for his Earth day. See you both tomorrow morning for more school.”

Rachael: “Headmistress Ziah, blessings to you as well. I am looking forward to seeing you again tomorrow.”

Tomas: “Thanks Ziah, with love and divine light.”

Headmistress: “Now, Tomas stop being so checky. Please continue to address me as, Headmistress or Headmistress Ziah. Now off you both run.”   

We both bowed our head and existed solemnly. As soon as we out of the room we both burst out laughing and continued laughing all the way back to Earth while we mulled over the joy of the information discussed with Ernst Chladni and having experienced the crystalline energy of Gabriel.  Once back in the bedroom of Robert we said good night to each other.

Tomas: “Good night, Rachel and thanks for your companionship.” I squeezed her hand.

Rachael: “Good night you old softy. I am glad I have stuck with you during your old crusty stages of left-brain dominance. Sleep well.”

Rachael bent over and kissed me on my lips which sent a big shiver down my back before I started to fall asleep with Rachael beside me. Next to Rachael lay my beautiful Earth Mother wife Maureen and next to her lay her hansom transpersonal male solider George. I marvelled at the beauty and expansiveness of our awakened transpersonal lives had become.